Posted by the editors on Friday, 17 May 2013
Residential Architecture: House in Monasterios by Ramon Esteve: “..The house is located in an elevated area, from which it dominates a hillside leading down to the sea. This view marks the direction the walls will take and, in an abstract form, define the project. The house is structured as a compaction of volumes of varying heights, and the form established by the main walls..The articulating space volume of this sequence is obtained from opening courts and patios in the central space of the house. A series of open courtyards are formed, covered in its perimeter like an atrium, in search of the access to the house, obtaining different perceptions of the house..The views from any point intersect and are never interrupted along the permeable sequence at the end of which, limited between glass membranes, is the lobby. Thus, it creates an approach path that exposes the more intimate side of the house so that, once inside, you discover the long views over the hillside to the sea..Among the great defining walls, the space is closed with large glass panels protected with wooden movable planes, graduating the closing level of each piece..The housing program is focused very clearly in the direction marked by the walls, and volumes depend on the spatial hierarchy of spaces. Two wooden emerging volumes, materialized by the chimneys, mark the counterpoint to the horizontality that defines the entire house..” Extensive glazing, natural light, views; interesting fenestration, interior details and materiality..
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image: © Mayte Piera; article: ”House in Monasterios / Ramon Esteve” 09 May 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Interior Decoration, Interior Design, Interiors, Residential Architecture | Tagged: archdaily, Architecture, Courtyards, Dark Wood Cladding, Design, Designalog, Europe, Fenestration, glass, Horizontal Wood Cladding, House in Monasterios, House in Monasterios by Ramon Esteve, Interior Courtyards, Patios, Ramon Esteve, Spain, Stone, Swimming Pools, Wood Shutters | Leave a Comment »
Posted by the editors on Thursday, 16 May 2013
Residential Architecture: Kerry House by Carson and Crushell Architects: “..This project is a major reworking of a dilapidated 1960′s bungalow overlooking Kenmare River, Kenmare, Ireland. The structure was wrapped in a thick insulated render lining with high performance glazing fitted flush into existing and newly made openings. All internal rooms were reorganised, improving relationships between the bedrooms and their new en-suites and the relocated kitchen, dining room and central courtyard. In addition, a terrace and long bench of Kilkenny limestone were made to extend the living spaces into the landscape..” Extensive glazing, natural light; interesting contemporary renovation and reworking of an existing structure..
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image: Courtesy of Carson and Crushell Architects; article: ”Kerry House / Carson and Crushell Architects” 12 May 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Interior Decoration, Interior Design, Interiors, Residential Architecture | Tagged: archdaily, Architecture, Bungalows, Carson and Crushell Architects, Central Courtyards, Courtyards, Design, Designalog, Extensions, Fenestration, glass, Ireland, Kenmare, Kerry House, Kerry House by Carson and Crushell Architects, Limestone, Remodeling, Renovations, Terraces | Leave a Comment »
Posted by the editors on Tuesday, 14 May 2013
Residential Architecture: De Wet 34 House by SAOTA – Stefan Antoni Olmesdahl Truen Architects: “..The site is positioned in the heart of Bantry Bay in Cape Town, South Africa, on the slopes of Lion’s Head overlooking the bay. The brief was to create a home with all the spectacle of an Atlantic Seaboard showpiece but also to respond to the practical needs of family life and to create a feeling of sanctuary..Built over four floors, the living areas are open-plan yet have distinct identities. A minimalist weathered redwood and grey-shale street façade opens on to a sculptural arrival courtyard which in turn leads to an entrance gallery. Dramatic volume, far-reaching views, sculpture and raw textures – rock, timber, concrete – are the cornerstones of this house, designed to form a canvas for the setting and develop a patina over time..The Family room, placed on the mountain side of the courtyard garden, provides for cocooned living while the double volume Living and Dining area on the sea side is more dramatic, with its rippling concrete feature fireplace wall and commanding views. This ocean fronting section is a soaring space anchored by concrete and rock – a five-tonne cocktail bar of rough-hewn granite holds down one side of the living space. Although sea-oriented, with the pool terrace to the west, the main Living area also opens onto the courtyard garden on the east, with access to both by the way of sliding glass doors which open up so completely that it’s little more than a roofed outdoor space..One descends through a double volume ‘under water’ atrium to the Bedroom floor and down another level to the Guest and Playroom areas..The interiors create an emotional and sensory journey when moving through the house. Furnishings are minimal and lines are kept simple & neutral. By utilising a restrained and raw base of textures and finishes, the décor feels natural and subtly organic; the overall ambiance is one of calm and serenity. Colour is kept to a bare minimum; the interior works predominantly with a light and shade tonal range, allowing views of the mountain, the ocean and sky, and also the artwork to introduce colour..” Extensive glazing, natural light, views; interesting form, interior volumes, details and materiality; indoor / outdoor sensibility..
See our posts on other homes by SAOTA:
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image: © Adam Letch; article: ”De Wet 34 / SAOTA – Stefan Antoni Olmesdahl Truen Architects” 06 May 2013. ArchDaily
Posted in Designalog, Furniture, Architecture, Design, contemporary design, Interiors, Contemporary Architecture, Design & Decoration, Architects, Residential Architecture, Architecture + Design, Interior Decoration, Interior Design | Tagged: Designalog, glass, Design, Architecture, wood, Residential Architecture, Homes, Housing, Terraces, Concrete, archdaily, Houses, Stone, Africa, Indoor/Outdoor, Swimming Pools, Courtyards, South Africa, Board-formed Concrete, Timber, SAOTA, Rock, La Lucia House by SAOTA and Antoni Associates, Cape Town, Bantry Bay, Victoria 73 House by SAOTA and Antoni Associates, Wood Ceilings, Nettleton 198 House by Stefan Antoni Olmesdahl Truen Architects (SAOTA), Montrose House by SAOTA – Stefan Antoni Olmesdahl Truen Architects, Stefan Antoni Olmesdahl Truen Architects, Voelklip House by SAOTA and ANTONI ASSOCIATES, 6th 1448 Houghton ZM House by SAOTA and Antoni Associates, Glen 2961 House by SAOTA and Three 14 Architects, Plett 6541+2 House by SAOTA, Cove 6 House by Stefan Antoni Olmesdahl Truen Architects (SAOTA), De Wet 34 House by SAOTA – Stefan Antoni Olmesdahl Truen Architects, De Wet 34 House, SAOTA – Stefan Antoni Olmesdahl Truen Architects, Redwood, Shale, Weathered Redwood | Leave a Comment »
Posted by the editors on Monday, 13 May 2013
Residential Architecture: Fairhaven Residence by John Wardle Architects: “..The Fairhaven Beach House is located on top of the ridgeline above the Great Ocean Road on the Victorian coastline (Victoria, Australia). The site enjoys panoramic views over the southern ocean and surf beach below. The house winds around a protected central courtyard, which creates an outdoor space sheltered from the harsh prevailing winds. The form of the house is coiled and stepped around the courtyard. The living area doors and an oversized sliding kitchen window open up and integrate it with the house proper during fine weather..The spatial journey through the house from arrival to view is choreographed to increase anticipation before reaching the main living space. As you step beneath a cantilevered study into a dramatic vertical entry space, you become acutely aware of a number of twists and folds along its length that make the transformation into horizontal living space. The main window aperture matches the cinematic proportions of the ocean view..Materially the house is clad in a green-grey zinc cladding, for both its longevity and natural colouring that merges with the scrub and tea tree landscape. In contrast, the interior of the house is completely lined in timber (floors, walls, cabinetry and ceilings) to form an enclosure for living that its inhabitants become completely immersed within. The eye is then always drawn back to the outlook beyond..The proportions, orientation and dimensions of windows have been tailored to particular views and to reveal internal spaces. The design process has been one akin to scenography, bringing together sensory and spatial experiences to frame the theatre of inhabitation within..” Extensive glazing, natural light, wonderful ocean views; interesting form, materiality, interior volumes and details..
See our posts on two other homes by John Wardle Architects:
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image: © Trevor Mein; article: ”Fairhaven Residence / John Wardle Architects” 07 May 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Furniture, Interior Decoration, Interior Design, Interiors, lighting, Residential Architecture | Tagged: archdaily, Architecture, Australia, Beach Houses, Cantilevers, Central Courtyards, Courtyards, Dark Cladding, Design, Designalog, Fenestration, glass, Homes, Houses, Housing, Interior Cladding, Queenscliff Residence by John Wardle Architects, Residential Architecture, Shearers' Quarters House by John Wardle Architects, Timber, Victoria, wood, Wood Ceilings, Wood Flooring, Wood Walls, Zinc Cladding | Leave a Comment »