Posted by the editors on Friday, 17 May 2013
Residential Architecture: House in Monasterios by Ramon Esteve: “..The house is located in an elevated area, from which it dominates a hillside leading down to the sea. This view marks the direction the walls will take and, in an abstract form, define the project. The house is structured as a compaction of volumes of varying heights, and the form established by the main walls..The articulating space volume of this sequence is obtained from opening courts and patios in the central space of the house. A series of open courtyards are formed, covered in its perimeter like an atrium, in search of the access to the house, obtaining different perceptions of the house..The views from any point intersect and are never interrupted along the permeable sequence at the end of which, limited between glass membranes, is the lobby. Thus, it creates an approach path that exposes the more intimate side of the house so that, once inside, you discover the long views over the hillside to the sea..Among the great defining walls, the space is closed with large glass panels protected with wooden movable planes, graduating the closing level of each piece..The housing program is focused very clearly in the direction marked by the walls, and volumes depend on the spatial hierarchy of spaces. Two wooden emerging volumes, materialized by the chimneys, mark the counterpoint to the horizontality that defines the entire house..” Extensive glazing, natural light, views; interesting fenestration, interior details and materiality..
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image: © Mayte Piera; article: ”House in Monasterios / Ramon Esteve” 09 May 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Interior Decoration, Interior Design, Interiors, Residential Architecture | Tagged: archdaily, Architecture, Courtyards, Dark Wood Cladding, Design, Designalog, Europe, Fenestration, glass, Horizontal Wood Cladding, House in Monasterios, House in Monasterios by Ramon Esteve, Interior Courtyards, Patios, Ramon Esteve, Spain, Stone, Swimming Pools, Wood Shutters | Leave a Comment »
Posted by the editors on Sunday, 24 February 2013
Residential Architecture: X House by Cadaval & Solà-Morales: “..This X-shaped house by architects Cadaval & Sola-Morales hangs over the edge of a hillside on the outskirts of Barcelona, Spain..Aptly named X House, the two-storey residence is based on a simple rectilinear form but features four triangular recesses that create the X-shaped plan. One of these recesses allows the structure to avoid a nearby tree, while two others provide windows that avoid overlooking neighbouring houses and the fourth lengthens the glazed facade to offer a wider view of the surrounding landscape..”The form is not a priori, but an effort to give a unitary response that satisfies each of the questions that rose up in the design process,” explains Cadaval & Solà-Morales..The walls without glazing appear as solid, undecorated concrete and were set using a single-sided formwork. “[The house] accumulates in its skin the diverse and continuous knowledge acquired within the process of construction,” say the architects..Residents enter the house on the top floor by following a staircase around the edge of the pine tree and locating a door that is two metres below street level, alongside a garage for parking two cars..A bedroom, bathroom and study occupy two arms of the cross on this floor and overlook a double-height living room on the storey below..Downstairs, the living room and kitchen wrap around the facade to offer views out across over the hillside..”X House uses form to qualify spaces of very different nature and provide them with an individual character, always incorporating landscape as a main actor,” add the architects..” Extensive glazing, natural light, views; very interesting form, interior volumes, contextuality on a steep site; roof terrace; very good photos, some by the excellent photographer Iwan Baan, in a 20-image slideshow accompanying the original article.
image: Sandra Pereznieto; article: Dezeen
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Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Interiors, Photography, Residential Architecture, Slide Shows | Tagged: Architecture, Barcelona, Cadaval & Sola-Morales, Cantilevers, Concrete, Design, Designalog, Dezeen, Double-Height Spaces, Europe, glass, Homes, Houses, Housing, Iwan Baan, Residential Architecture, Roof Terraces, Slideshows, Spain, Swimming Pools, X House, X House by Cadaval & Solà-Morales | Leave a Comment »
Posted by the editors on Sunday, 3 February 2013
Residential Architecture: Silicon House by Selgas Cano: “..This is an allotment on a gentle slope covered by evergreen oak, elm, ash, acacia, prunus and plane trees, all seeded spontaneously by birds from the surrounding plots. All of these trees and their canopy perimeters were measured and drawn on to plan. Le Corbusier said he wanted the empty La Tourette courtyard to be populated naturally with vegetation, by birds and the wind. Le Corbusier left a void in his architecture to be populated by nature. We think this project has arisen in opposition to that idea..Nature has left us a gap and here, only here, can we populate it with something that is architecture, because it is rational. We agree with la Tourette, however, that neither camouflage nor integration nor what is called “ organic architecture “ have ever really been sought. The house adapts by pure opposition. In Italy, some of the motorway bridges are painted sky blue. An innocent, sweet camouflage that only works as expected on a few days and at certain moments, yet we find it most beautiful on the days when you can actually see the trick. The ultimate purpose is (it would be an exaggeration to say “always”)whatever is admired..This allotment is already choked with something that should be preserved, and the only choice left to us is to fill in the remaining interfaces, only the areas that are possible, remnants, between the trees, which we have no intention of touching at all. Respect, but to a manic extent. The house is set beneath two platforms that strive to arise our gaze above the natural setting towards the eastern sky. The views of the house look at the base of the natural environment. The project consists of these two platforms. The house is an addition underneath them. These two platforms are comfortable, with soft pavements, for living inside most of the time. Each one has a different colour and a different level to facilitate access. Each one corresponds to an interior time of the house, and each one is nothing without the other. The only thing we can say about the interior space is that it goes unnoticed. It arises as a remainder from the reaction of the only space being worked here. Outdoor space..This is a project that is only related to the exterior. Two horizontal platforms cultivate it in generic proximity but a metaphoric distance. Distance in which we speak of inanimate nature, reproduced or abstract, also a reflection of an earth and a sky , which becomes involved with both but belongs to neither. The resemblances in its zoomorphic or anthropomorphic silhouette that seem to belong of similarities, the coincidences of the situation of the spherical lightwells/lookouts with eyes and the other skylights with backbones, are just coincidences..” Extensive glazing, natural light, views; interesting conception, form, contextuality..
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image: © Pablo Zuloaga; article: ”Silicon House / Selgas Cano” 31 Jan 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Designalog, Interiors, Modernism, Residential Architecture | Tagged: archdaily, Architecture, Design, Designalog, Europe, glass, Homes, Houses, Housing, La Tourette, Le Corbusier, Lightwells, Madrid, Residential Architecture, Roof Terraces, Selgas Cano, Silicon House, Silicon House by Selgas Cano, Skylights, Spain, Wooded Sites | Leave a Comment »