Posts Tagged ‘Brick’
Posted by the editors on Friday, 29 March 2013
Residential Architecture: Urban Townhouse by GLUCK+: “..This project reinvents the typology of the urban townhouse on a typically narrow infill Manhattan, New York City, New York, plot..By radically reconfiguring the organization and façade of the building, open loft-like living spaces find privacy from the street behind a four-storey vertical library. The clients asked for generous light-filled interiors and privacy from the street – in contrast to the standard New York City row house with parlor room windows right on the street, usually curtained or shuttered from the eyes of passersby..The conventional plan and section were redefined with the stair and elevator core pushed up against the street façade, instead of running along one of the party walls. As a result, loft-like spaces run fluidly the entire length of the 38-foot-deep building, rather than being compartmentalized into small front and back rooms. An open mezzanine living room, a private office nook, and sitting rooms to private bedrooms, extend off the stairs which wind like a ribbon around the elevator core..The front façade engages the street with a custom water-cut aluminum rain screen with brick-shaped openings relating to the solid bricks of its neighbors and panel joints corresponding to the neighboring building stories. During the day, it appears as a flat, patterned mass, marked off from the adjacent houses by the tall glass slots on either side. The horizontal joints of the aluminum panels break up the vertical surface as a reference to the rhythm of the window spacing of the row houses..At dusk, this impression wanes as the glow from the horizontal slit windows and the vertical glass slots animates the street façade. The aluminum appears more as a screen than a mass, and invites the eye toward, but not into, the house..The rear facade is in counterpoint to the front: It is all glass; a full-height, full-width curtain wall that bathes the interior in light. At night, the warm lantern-like light of the interior illuminates the rear garden..The public spaces of the townhouse (living room, dining room, and kitchen) are linked by a light-filled mezzanine which overlooks the backyard. The etched glass on the upper three floors gives privacy to the bedrooms and baths, as well as a diffused light that is in fact, brighter than clear glass. By extending the materials (brick, stone and wood) of the ground floor open living and dining area out into the garden, the spatial experience captures the full 70-foot-depth of the site..” Extensive glazing, natural light, garden views, privacy; interesting facades, interior volumes, details; original article includes a video..
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image: © Raimund Koch; article: “Urban Townhouse / GLUCK+” 24 Mar 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Interior Decoration, Interior Design, Interiors, Residential Architecture | Tagged: Aluminium, Aluminum, archdaily, Architecture, Brick, Design, Designalog, Etched Glass, Gardens, glass, GLUCK+, Homes, Houses, Housing, Mezzanines, Narrow Sites, New York, New York City, North America, Residential Architecture, Residential Elevators, Town Houses, Urban Homes, Urban Townhouse, Urban Townhouse by GLUCK+, US, Video, wood | 1 Comment »
Posted by the editors on Wednesday, 27 March 2013
Residential Architecture: The New Old House by Jessica Liew: “..A house that maximizes a relatively small 385m² site in inner city Melbourne, Australia, providing bright but private living spaces. There is simple, relaxed feel about this house, loaded with character from the natural materials used including concrete, recycled tumbled bricks and hardwood timber. These provide an honesty and rawness so rarely seen these days – an antithesis to the glitz, luxe and glamour often seen in popular magazine and tv programs. To the architect/owner, the aim was to build a relaxed, private home that was energy efficient, practical and imbued with character from the all-natural materials used – complementing their extensive collection of art and antiquities from their travels. The result is remarkable. A home that has outwitted even other architects who have mistaken it for a renovation, rather than a newly-built dwelling on what was previously the neighbors tennis court..Accommodation: double storey dwelling comprising formal living, library, cellar, study, casual living and dining, separate laundry, rumpus, 3 bedrooms, 3 bathrooms and 3 car accommodation..6 star energy rated: double glazed windows and skylights, double hung ceilings, double insulated stud walls,reverse brick veneer walls, underground water tank, hydronic slab heating, recycled bricks, custom double height pile wool carpet, regenerative hardwood timbers throughout..‘Switchable’ spaces including a study turning into a guest bedroom (murphy bed); rumpus or second study on level 1; and studio or 3rd bedroom upstairs..A courtyard sized to a car space for future additional parking requirement. Hidden storage and joinery throughout. Custom steel framed glass pivot doors replacing a conventional front door, the recessed floor mat is the only give away..Antique Chinese screen doors framing the fishpond corridor , mural by celebrated Melbourne street artists Ghostpatrol and Miso; retention of the original chain wire mesh tennis court fencing and tennis court roller; all rooms feature a garden, fishpond or courtyard aspect..Honesty: respect and transparency for all natural materials used – predominant palette comprising black concrete, white painted tumbled bricks and natural timber finish waiting to age with the house..” Extensive glazing, natural light, privacy; interesting interior volumes and materiality..
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image: © Jaime Diaz-Berrio; article: “The New Old / Jessica Liew” 20 Mar 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design & Decoration, Designalog, Green Design, Interior Decoration, Interior Design, Interiors, Residential Architecture, Sustainable Architecture | Tagged: archdaily, Architecture, Australia, Black Concrete, Brick, Concrete, Design, Designalog, glass, Hardwood, Homes, Houses, Housing, Jessica Liew, Lightwells, Melbourne, Pivoting Doors, Recycled Bricks, Residential Architecture, Skylights, sustainability, The New Old House, The New Old House by Jessica Liew, Tumbled Bricks, White Painted Bricks, wood | Leave a Comment »
Posted by the editors on Wednesday, 27 March 2013
Residential Architecture: House of Joyce & Jeroen by Personal Architecture: “..The dilapidated state has necessitated a thorough reinforcement of the foundation and load-bearing structure of the entire house, opening up extraordinary possibilities in an otherwise commonplace apartment renovation..The combination of ambitious design visions and a large measure of trust from the client have resulted in a rigorous and uncompromising redesign, in which voids and split levels accentuate the full height of Den Haag, The Netherlands, typical row houses..The potential of the brick structure, the details such as glass-in-lead frames, and the characteristic “en-suite” room divisions were the deciding factors in purchasing the house, according to the clients. The tension between antique features and modern techniques is very evident in the redesign plan. The classical street façade is restored to its former glory, from ground to third floor..Behind the doors of the “en-suite“ element, a complete change is taking place. The rear façade is removed and clad with glass to a full height of 11 meters. The floor levels are detached from the façade, creating a void that spans three levels and generating an optimal source of daylight..In the back of the house, the load-bearing wall between the corridor and the living room is replaced with a steel construction. Four new floors with a net height of 2,4 meters protrude from this construction. These floors remain openly linked to the existing floor levels. The interplay of voids, the split-levels and the glass façade, all create a spectacular drama between interior and exterior on the one hand, and between the existing and new floors on the other..The intervention in the back of the house can be interpreted as a three-dimensional, L-shaped element of five storeys, accessed by a new steel spiral staircase. The staircase brings a new dynamic between the different parts of the house and makes a separation between owners and guests possible. Vertically, the L-shaped element ends in a roof-terrace with jacuzzi and outer kitchen that lies far above the balconies of the lower floors..This rigorous redesign project has reorganized the total accessible surface of the house towards an excess of floor space, generating more rooms and more daylight. To the owner, the residence promises an extraordinary living experience. To passers-by, it cannot be distinguished from any other house on the van Merlenstraat..” Outstanding redesign and renovation; extensive glazing, natural light; indoor / outdoor and contextual sensibility; interesting interior volumes, interplay and details..
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image: © René de Wit; article: “House of Joyce & Jeroen / Personal Architecture” 26 Mar 2013. ArchDaily
Posted in Architects, Architecture, Architecture + Design, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Interior Decoration, Interior Design, Interiors, Residential Architecture | Tagged: Additions, archdaily, Architecture, Balconies, Brick, Den Haag, Design, Designalog, Europe, glass, Homes, House of Joyce & Jeroen, House of Joyce & Jeroen by Personal Architecture, Houses, Housing, Indoor/Outdoor, interior decoration, interior design, interiors, Jacuzzis, Masonry, Netherlands, Personal Architecture, Redesign, Refurbishment, Remodeling, Renovations, Residential Architecture, Roof Terraces, Row Houses, Spiral Staircases, steel, Terrace Houses, Terraces, Town Houses, wood | Leave a Comment »
Posted by the editors on Tuesday, 5 March 2013
Residential Architecture: Hawthbush Extension by Mole Architects: “..UK firm Mole Architects extended a protected farmhouse in south-east England by adding an extension with a barrel-vaulted roof that references local agricultural buildings..Located in the High Weald area of the Sussex Downs, the Hawthbush extension replaced several earlier additions constructed in the 1970s..The new structure was placed at an angle to the existing house and visually separated from it by a glass link to replicate the layout of traditional local farmsteads, according to recent research carried out using historical maps of the area..Associating the design with this research allowed them to gain planning permission where previous proposals had failed. This apparent separation also helps to reduce the scale of the additional volume, giving prominence to the original house..When briefing Mole Architects, one of their clients presented the designers with a pot instead of a room schedule, underlining their wish to gain “a beautifully finished object carefully made from ‘natural’ materials”..A coated steel roof arches over courses of bricks reclaimed from a nearby farmhouse, reinterpreting the barrelled structural language of local agricultural buildings..The concave ceiling that results from the unusually shaped roof is emphasised by internal horizontal cladding, directing attention towards a semi-circular window at the end of the master bedroom on the first floor..Whilst the bedroom’s picture window frames the sunrise, the kitchen on the ground floor benefits from the skewed angle of the extension, which orientates the kitchen on the ground floor towards the south so it’s flooded with sunlight during the day. The kitchen can be opened up to the garden with timber-framed glass doors that concertina out onto the patio..This ongoing project also includes spatial reorganisation of the interior of the old farmhouse as well as a sustainable development strategy that affects a broader collection of buildings in the farmyard..Hawthbush farmhouse extension was shortlisted for AJ Small Projects award 2013, which was won by Laura Dewe Mathews for her Gingerbread House. The Forest Pond House folly by TDO was also nominated for this award..Other projects by Mole Architects include a refurbishment of a 1960s bungalow in Cambridgeshire and a house set within the Suffolk dunes designed in collabouration with Jarmund/Vigsnæs Architects..”
See our post on another home by Mole Architects: Residential Architecture: The Lanes by Mole Architects.
image: copyright David Butler; article: Dezeen
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Posted in Architects, Architecture, Architecture + Design, Awards, Contemporary Architecture, contemporary design, Design, Design & Decoration, Designalog, Interior Decoration, Interior Design, Interiors, Residential Architecture | Tagged: Additions, archdaily, Arches, Architecture, Awards, Brick, Cambridge, Cambridgeshire, Coated Steel, Design, Designalog, Extensions, Fenestration, glass, Glass Doors, Hawthbush Extension, Hawthbush Extension by Mole Architects, Homes, Horizontal Cladding, Houses, Housing, Laura Dewe Mathews, Masonry, Mole Architects, Patios, Reclaimed Brick, Remodeling, Renovations, Residential Architecture, Semi-circular Windows, steel, Sussex, The Lanes by Mole Architects, UK, Vernacular Architecture, wood, Wood Cladding | Leave a Comment »